Like the other two volumes in this series, "Music History from the Late Roman through the Gothic Periods, " and "Music History During the Renaissance Period, ," this volume will be an important research tool for anyone interested in music history. Upper-division undergraduates and graduate students.?
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During this period Renaissance polyphony reached its height. Catholic Counter-Reformation. The Council of Trent met from to to discuss complaints against the church including its music. In the s, thousands of madrigals were composed in Italy.
Philippe de Monte was perhaps the most prolific of all madrigal composers. Composer Orlando Lassus left Italy and brought the madrigal form to Munich. The lifetime of Tomas Luis de Victoria, Spanish composer during the Renaissance who composed mainly sacred music. The lifetime of Giovanni Gabrielli, known composer in Venetian high Renaissance music who wrote instrumental and church music. The lifetime of John Dowland, known for his lute music in Europe and composed beautiful melancholic music.
The last period of madrigals was highlighted by two reforms, madrigals would take on a lighter tone incorporating more whimsy, and madrigals once a small, intimate performance, would be concertized. Monteverdi is also known as the transitional figure to the Baroque music era.
Music History from the Late Roman Through the Gothic Periods, 313-1425
John Farmer was a popular English madrigal composer. His secular output included settings of courtly French poetry, like Du Fay, but also arrangements of French popular songs, instrumental music, and Italian frottole. With the beginning of the sixteenth century, European music saw a number of momentous changes. In , a Venetian printer named Ottaviano Petrucci published the first significant collection of polyphonic music, the Harmonice Musices Odhecaton A.
Prior to , all music had to be copied by hand or learned by ear; music books were owned exclusively by religious establishments or extremely wealthy courts and households. After Petrucci, while these books were not inexpensive, it became possible for far greater numbers of people to own them and to learn to read music.
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At about the same period, musical instrument technology led to the development of the viola da gamba , a fretted, bowed string instrument. Amateur European musicians of means eagerly took up the viol, as well as the lute , the recorder , the harpsichord in various guises, including the spinet and virginal , the organ , and other instruments.
The viola da gamba and recorder were played together in consorts or ensembles and often were produced in families or sets, with different sizes playing the different lines.
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The sixteenth century saw the development of instrumental music such as the canzona, ricercare, fantasia, variations, and contrapuntal dance-inspired compositions, for both soloists and ensembles, as a truly distinct and independent genre with its own idioms separate from vocal forms and practical dance accompaniment. The musical instruments depicted in the studiolo of Duke Federigo da Montefeltro of Urbino ca. The musical instruments are placed alongside various scientific instruments, books, and weapons, and they include a portative organ, lutes, fiddle, and cornetti; a hunting horn; a pipe and tabor; a harp and jingle ring; a rebec; and a cittern.
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The Reformation and Counter-Reformation directly affected the sacred polyphony of these countries. The Protestant revolutions mainly in Northern Europe varied in their attitudes toward sacred music, bringing such musical changes as the introduction of relatively simple German-language hymns or chorales sung by the congregation in Lutheran services. Inspired by the classical world, Renaissance composers fit words and music together in an increasingly dramatic fashion, as seen in the development of the Italian madrigal and later the operatic works of Claudio Monteverdi — Arkenberg, Rebecca.